Autor: Rosa

For my master thesis I want to focus on the medium music video using animation/illustration technique. My aim is to look into the different aspects of storytelling used in music videos, its development over the past years and especially its emotional influence on the viewers. I want to explore how music as a fundamental channel of communication can, in combination with visuals, provide a medium by which people share emotions, intentions and meanings even though their spoken languages may be mutually incomprehensible.

The problem – nowadays, in the “digital-age” with its ever-growing media content, for designers, it’s getting harder and harder to reach and especially move people with a specific message. But not only the overflow of material is an obstacle that needs to be tackled, but also the way of communication needs to be adjusted to specific target groups – how can you deal with cultural differences or how to overcome language barriers. Is there a way to communicate a narrataive using an “universal language” such as sound and imagery? There are various studies on the topics of history and the developement of music videos also connected with emotional response of the viewers. As well as a few studies on how music videos can offer an educational value and influence a pro-active behaviour of the beholder.

Other Questions I want to tackle are: What role and relevance can be associated with music videos nowadays? In wich way can the correlation of music and visuals convey a narrative that moves the viewer emotionaly? Can a music video even offer an educational purpose? In what way are music videos replacing printed visual identity of a song/album? Can music videos be developed/ applied to different formats or even combined with different media – for example poster or webdesign – is there a way of creating a whole new way of communicating sound? Which different relationships between image and sound can be found in a music video and how are these interactions influencing the interpretation of a music video?

The thesis should stress the importance of evolving and adapting different media to the spirit of the age – and should make an example of how, in this case, a medium like a music video can be further explored and developed. The goal is to create a narrative based on a preexisting song, yet not defined, and create a visual identity for it – almost like a manifesto on an educational topic, yet defined. This experiment should show how a music video can be a powerful tool to convey a message and even provide educational qualities in an intercultural manner – by telling a story without using textual but visual language.

There are various books and articles on the topics:

Ferrandino, Matthew & Osborn, Brad. (2019). Seeing Stories, Hearing Stories in Narrative Music Video. The Society for Music Theory Videocast Journal. 5. 10.30535/smtv.5.5.

Burns, Gary. (1986). Dreams and Mediation in Music Video. Wide Angle. 10.2.

Antal, Silard. (2015). Visual analysis of music in function of music video. Zbornik Akademije umetnosti. 2015.47-56. 10.5937/ZbAkUm1503047A.

The Velvet Light Trap 56.1 (2005) 73-74 Vernallis, Carol. Experiencing Music Video: Aesthetics and Cultural Context. New York: Columbia UP, 2004. 480 pp.

Kleanthous, Styliani & Michael, Grigoris & Samaras, George & Dimitrova, Vania. (2017). Individual Differences in Music Video Interaction: An exploratory Analysis. 241-246. 10.1145/3099023.3099061.

Schmidt, Patricia. (2005). Thinking inside the box: In search of music -video culture.

Titel der Arbeit: A = Z – Eine Schrift, eine Fläche
Verfasser: Christoph Palissa
Abgabedatum: 2012
Institution: UDK Berlin, Klasse Hickmann
Studienrichtung: Master Grafikdesign / Kommunikationsdesign

There are a lot of places where Murals have proven to convey unification, history and culture inside a community. In Northern Ireland around 2.000 murals are depicted on fences an buildings, still telling stories of the troubles of former times. Most of those can be find in Belfast, with over 700 wall paintings.

Street-art in the way of Graffiti certainly changed a lot during the last years – moving away from its origin of name-tagging and territory-marking. It developed into an sophisticated artform with its power of making a real difference by influencing people in whole other ways. It is still an alternative art-form, far from norms of commercialised art – allowing it to grow and adapt quickly unbound from any standards. Unbound also in the way of accessibility – in contrary to conventional art and culture related matters, murals are exposed to a huge audience day by day, without limitations in time or cost.

When we speak of Murals the term »street art« and »graffiti« may also come into mind – maybe not only in reference to a positive impression. As »painting« got easier and easier over the years, with the use of spray-cans, also the intention of the artworks changed – the message of the painting got displaced by a mere decorative purpose.

The origin of the term mural derives from the Latin word murus, meaning »wall« or muralis meaning »of a wall«.¹ It defines a painting large at scale, applied to a wall or ceiling – or other equivalent surfaces. The art of mural painting goes way back – it is considered to be the oldest art form performed by humans, leaving its traces all over the world: the Lascaux cave in France can be mentioned as a prominent example. It is believed that already 40,000 years back, the first signs of human creation of this sort started evolving.